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about Natalia Solomonoff, Natalia Solomonoff Texts Natalia Solomonoff writings, Publishing Natalia Solomonoff NATALIA SOLOMONOFF compositora PUBLICACIONES CDS / DVDs *2021: CD TARJO Kompositionen von NATALIA SOLOMONOFF Ensemble Reflexion K Deutschlandfunk- Ambitus (Amb 96 976) Ensemble Reflexion K Beatrix Wagner (Flöten), Anja Schmiel (Oboe), Joachim Strieppn (Klarinetten), Jakob Meyers (Fagott), Eva Zöllner (Akkordeon), Eva Curth (Harfe), Martin von der Heydt (Piano), Vera Schmidt (Violine), Lenka Zupkova (Violine), Christiane Veltman (Viola), Burkart Zeller (Violoncello), Gerald Eckert (Violoncello). Gäste: Maria Bulgakova (Sopran), Natalia Solomonoff (Elektronik) Leitung: Gerald Eckert ambitus (Amb 96 976) http://www.ambitus.de/ambitus/product_info.php/products_id/386 *2020: Natalia Solomonoff: Composiciones 2009-2019 -Viajero inmóvil experimental- *2018: incierto suelo cielo (2018, for Orchestra) and trama (2015, for two flutists), DVD VIIIº Microjornadas de Composición y Música Contemporánea. Orquesta de la Universidad Nacional de Córdoba und Duo MEI. Música para flautas: Patricia García und Juliana Moreno. Video incierto suelo cielo: https://youtu.be/WaYaIAl3Zng Audio from Trama: https://youtu.be/BwPVFmaz1DQ video: https://youtu.be/73hOszukoao *2018: en vivo (2017), for sopran, flute, clarinete, violin, cello and percussion, with electroacustic. Commisioned Work: UNESCO for the Festival Weaving music for radio by Latin american women composers. (Curitiba-Brasil) *2016: trama (2015), for two flutists. CD: Dúo MEI. Música para flautas. Juliana Moreno y Patricia García (Buenos Aires, Argentina). http://www.meiflautas.com/la-region-mas-alta-del-aire-donde-se-engendran-los-cometas-2017/ *2013: Raunächte (2010), for Sopr., flute, clarinete in B, violin, cello, piano and electroacustic. CD: OCTUBRE. Instituto Superior de Música. UNL. Edición: UNL-FADU. “Proyecto Crear” (UNL 2006). *2009: Pájaros Arcanos (2005), for flute, two clarinets in B, fagot (contrafagot), trumpet in B and piano. Cd. (micro)música. Directed by Federico Gariglio. Buenos Aires. Acc Ediciones 2009. Video from the Festival de Música Contemporánea Sgo. de Chile: https://youtu.be/ScmPMYdivJA Audio: https://youtu.be/9YBW1mwyfSw *2005: Ariones (2001), for two trombones: Cd. Ponencias de las “Iº Jornadas de Educación Artística” (Rosario 27 al 29 de octubre de 2005). Maestría en Educación Artística, Escuela de Posgrado de la Facultad de Humanidades y Artes, U.N.R. Soundmaster: Prof. Lisandro Laura. *1999: Calizas (1991), for sopran, violin and flute (1992), in “Panorama de la Música Argentina” (Cd. nº 318, by Fondo Nacional de las Artes, 1999). Audio: https://youtu.be/fkwBQgHNI0M *1995: del Bostezo de Thyke (1994), for violin, clarinete in B, trombone and contrabass (1995), in Cd. “Música Argentina de los ‘90” Premio del 1º Concurso de Composición de la Asociación Editar, sponsored by Afroasiatisches Institut (Austria) and Fundación Antorchas (Argentina). Scores Babelscores https://www.babelscores.com/es/vmvendor?userid=8895&view=vendorprofile https://www.babelscores.com others *2013: Humus (2009), para flauta, arpa, cello y acordeón. Boletín Música N°33 de la Casa de las Américas (La Habana). http://www.casadelasamericas.org/publicaciones/boletinmusica/33/revista.html audio https://soundcloud.com/natalia-solomonoff/humus-2009 *1996: del bostezo de thyke ( 1995), for vn., trbn, cl. y cb. Composition prize 1º Concurso de Composición de la Asociación Editar, sponsored by Afroasiatisches Institut (Austria) y de la Fundación Antorchas (Argentina). Copyright 1997, Asociación EDITAR. Distr. RICORDI AMERICANA S.A.E.C., Bs. As. Articles *2017:“Auf wiedersehen ‘Nachtigall’. Ein Abschied an die Komponistin und Lehrerin Graciela Paraskevaídis”, en Rev. Musiktexte nº 153, Mayo de 2017, p. 9. *2018: “Música que también habla de lo humano. Una aproximación a la composición crítica del compositor Nicolaus A. Huber”, en Escuchas Periféricas, Córdoba: Suono Mobile Editora, Colección Lecturas, 2018, pp. 179-210. ISBN: 978-987-45912-2-7 *2014: “…Vivir tan hondo…” Humanismo y militancia en y por el sonido. Una interpretación de los recursos compositivos y expresivos en la música de Graciela Paraskevaídis a partir de cuatro obras con participación de la voz, en Estudios sobre la obra musical de Graciela Paraskevaídis. Buenos Aires: Gourmet musical, 2014. pp.85-107. *2015: “…Vivir tan hondo…” Humanismo y militancia en y por el sonido. Una interpretación de los recursos compositivos y expresivos en la música de Graciela Paraskevaídis, en Boletín Música nº 39 de la Casa de las Américas (La Habana), pp.41-59. *2014: “…Vivir tan hondo…” Humanismo y militancia en y por el sonido. Una interpretación de los recursos compositivos y expresivos en la música de Graciela Paraskevaídis a partir de cuatro obras con participación de la voz, en Sonidos y hombres libres. Música nueva de América Latina en los siglos XX y XXI. En honor a Coriún Aharonián y Graciela Paraskevaídis . Eds. Hanns-Werner Heister y Ulrike Mühlschlegel. Madrid/ Frankfurt: Vervuert/ Iberoamericana. Biblioteca IberoAmericana, pp.17-34. *2018: “Graciela Paraskevaídis (1940-2017). Más allá de su biografía”, en Revista Pilacremus SUICREA. UNAM Universidad Nacional de México. Pp. 141-145. Editor: Julio Estrada http://suicrea.unam.mx/revistas/pilacremus-2/ *2018: “Coriún Aharonián (1940-2017) Trazos de una semblanza”, en Revista Pilacremus SUICREA. UNAM-Universidad Nacional de Mexico. Pp. 146-150. Editor: Julio Estrada http://suicrea.unam.mx/revistas/pilacremus-2/ *2007:“Crear música aquí, hoy…” (2006), en Pablo Fessel (comp.) Nuevas poéticas en la música contemporánea argentina. Escritos de compositores . Buenos Aires: Colección Libros de Música. Biblioteca nacional. 2007, pp. 137-150. BOOK Lecturas/ Escuchas periféricas Comp. Natalia Solomonoff Suono Mobile Editora (Córdoba) (2018) written about composers and compositions articles: Carlos Mastropietro Osvaldo Budón Chico Mello Marcos Franciosi Thomas Beimel Wolfgang Rüdiger Cristian Morales Ossio Gerald Eckert Natalia Solomonoff Home / Bio / works /compositions Discografía/ Publications/ Texts about Agenda / Music/Videos Performances Events/Performances 2015-2018 Contacto / Fotos

Grabaciones Natalia Solomonoff, Cds. Natalia Solomonoff, Música de Natalia Solomonoff, Audios Natalia Solomonoff NATALIA SOLOMONOFF compositora MONOGRÁFICO (2021), Obras de Natalia Solomonoff. Ensemble Reflexion K, Dirección: Gerald Eckert Intérpretes: Beatrix Wagner (Flautas), Anja Schmiel (Oboe), Joachim Strieppn (clarinetes), Jakob Meyers (Fagot), Eva Zöllner (Acordeón), Eva Curth (Arpa), Martin von der Heydt (Piano), Vera Schmidt (Violin), Lenka Zupkova (Violin), Christiane Veltman (Viola), Burkart Zeller (Violoncello), Gerald Eckert (Violoncello). Invitadxs: Maria Bulgakova (Sopran), Natalia Solomonoff (Composición y electrónica) Natalia Solomonoff: Composiciones 2009-2019. Viajero inmóvil experimental https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2012-2019-vol-1 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composiciones-2005-2015-vol-2 Raunächte (2013), for Soprano voice, instrumental quintet and electroacoustic sounds. UNL Edition Trama (2015), para dos flautistas. Dúo MEI- Música para Flautas. Juliana Moreno y Patricia García. Calizas (1991), for soprano voice, flute and violin. Edition of the National Endowment for the Arts (1999) CD nº 21 of the Panorama Collection of Argentine Music Arcane Birds (2005) Sextet. Commissioned by the Ausum Ensemble. Direction: Federico Gariglio. From Thyke's yawn , for flute, tenor trombone, violin and double bass (1995). National Composition Award- EDIT Contest. Home / Bio / works /compositions Discografía/ Publications/ Texts about Agenda / Music/Videos Performances Events/Performances 2015-2018 Contacto / Fotos

Biography Natalia Solomonoff completed her musical training in Argentina and Germany. He began his composition studies in Rosario with Diana Rud and Jorge Horst. He obtained his initial degree at the National Institute of Music Teachers of Rosario and at the Higher Institute of Music of the Universidad Nacional del Litoral. He attended analysis and composition seminars given by Mariano Etkin. She participated in the annual Course on Contemporary Composition Techniques given by Gerardo Gandini, Francisco Kröpfl and Julio Viera (among other teachers) as a Fundación Antorchas fellow. He continued his training with Nicolaus A. Huber at the Folkwang-Hochschule Essen. She attended composition and analysis seminars with Mathias Spahlinger at the Institut für Neue Musik Freiburg, both times as a fellow of the Deutscher Akademischer Austauschdienst (DAAD). He considers Nicolaus A. Huber, Graciela Paraskevaídis, Coriún Aharonián and Cergio Prudencio as essential references in his training. His main focuses of interest focus on the relationship between music, society and politics, creative processes and learning in composition, thought and musical creation in Latin America. She has been invited as a composer, speaker and teacher at numerous festivals, meetings and international conferences on composition and contemporary music, such as: Festival Musik der Zeit (WDR Radio Colonia, DE, 2022), Jornadas de Música Contemporánea del Círculo Colombiano de Música Contemporánea ( COL, 2021), Colloquium Listening and Musical Creation in the 21st Century (UY, 2021), RESONAR Talk Series (AR, 2021), Argentinian Music Analysis Conference (AR, 2021), “Music of the Americas“- Americas Society/Council of the Americas (USA, 2020), First National Composition Meeting- IUPA (Patagonic University Institute of the Arts, Gral. Roca, 2019), III Distat Terra International Festival/ AntiquaNova Foundation (Ar, 2018), Micro-jornadas de Contemporary Music and Composition (Universidad de Córdoba, 2018), UNESCO -Weaving Music for Radio by Latin American Composers- (BR, 2017), Forum neuer Musik-Deutschlandfunk Köln (DE), Forum Wallis (SW), Festival Tres Cantos Madrid ( EN), Internal Festival für Neue Musik Provinzlärm (DE), Micro-Conferences on Composition and Contemporary Music (AR), Weaving Music for Radio by Latin American Composers- A Commission project sponsored by UNESCO/MUSICAOS Radio Program and IFPC (BR), XXI Festival of Contemporary Music of the Teatro General San Martín (AR), Cycle of Monographic Concerts Contemporary Library (AR), Internationales Festival Musik-Diktatur Heidelberg (DE), IIIº Internacional Symposium Música Nova- Universidade Stadual do Paraná (BR), International Meeting of Composers ( CH), Chiffren: Kieler Tage für neue Musik (DE), among others. His work has received numerous awards, among which: Municipal Composition Award of the City of Buenos Aires, in the Symphonic Music category, Biennium 2018/2019, for the work “uncertain soil sky” (2018); 2nd Composition Prize “Sadaic 70th Anniversary Prize-Latin American Symphonic Works Composition Competition “Guillermo Graetzer” 1936 – 2006.” for the work “Nah-Weit” (2006); “Juan Carlos Paz Prize” for composition in the “Chamber Music” category, awarded by the National Endowment for the Arts for the work “The last flower of the cherry tree” (2004), for twelve instruments; National Composition Contest for Chamber Works of the Editing Association, for the work “El yawn de Thyke” (1994), National Contest for Composers, sponsored by the Omega Foundation, for the work “107” (1993), “Subsidio a the Artistic Creation” of the Fundación Antorchas (2004), Subsidy from the Universidad Nacional del Litoral for artistic creation (2006), Subsidy from the State of Schleswig-Holstein (Germany) for a three-month artistic residency at the Schleswig-Holsteinisches Künstlerhaus (2011), among others. She has been a composer in residence invited by the Experimental Orchestra of Native Instruments (La Paz, 2016) and by the Holsteinisches Künstlerhaus (Eckernförde, 2011), among others. His music has been performed by the WDR Symphonieorchester (Symphony Orchestra of the Radio of Cologne, Germany), the Provincial Symphony Orchestra of Santa Fe (Argentina), the Symphony Orchestra of the National University of Córdoba (Argentina), ensembles and soloists from American and European countries. He has received commissions from: Partita Radicale (DE, 2020), Ensemble Aventure (DE 2009, 2010, 2015, 2017), Ensemble Reflexion K (DE 2009, 2011, 2015 and 2019), Experimental Orchestra of Native Instruments of La Paz (Bolivia , 2016), Duo MEI, music for flutes (AR, 2015), Ensemble La Machine (Montreal, 2012), Provincial Symphony Orchestra of Santa Fe (2001), Composition Microdays and Symphony Orchestra of the National University of Córdoba (2018) , Contemporary Music Festival of the General San Martín Theater (Bs.As, 2017), Compañía Oblicua (Bs.As., 2019), National Radio/ Let's Get to Work- Haydée Schvartz and Elías Gurevich- (Bs.As., 2018 ), Daniel Añez (Montreal, 2012), Beatrix Wagner (DE, 2010), Tropi Ensemble (Buenos Aires, 2019), Vocal Ensemble of Nonsense Soloists (Buenos Aires, 2017), Marc Takeshi Mc. Gregor (Canada, 2016), Griselda Gianinni (AR, 2020). Other premieres in collaborative work with: Ensemble HandWerk (Germany, 2021), Ensemble Vertixe Sonora (Spain, 2022), Ensemble New Babylon (Germany, Arg. and Chile 2017), Ensemble Aisthesis (Heidelberg, 2017), Ensemble Garage (Köln, 2015), the CG Ensemble (Colombia, 2018), the Ausum Ensemble (2006), etc. She has been summoned as a member of the composition jury for the Juan Carlos Paz Composition Prize of the National Fund for the Arts (2019), the Composition Microjornadas (2016 and 2020), the First Composition Festival for Latin American female choirs (2019), Composition Competition for two pianos-ISM. National University of the Coast (2016), among others. Photo: Fabiana Sylvester. 2021 In 2021 the Ensemble Reflexion K (DE) releases its first monographic CD TARJO, with works composed between 2009 and 2016 in co-production of the Deutschlandfunk radio station and the ambitus record label. Sheet music: Babelscores. References in dictionaries and articles: Komponisten der Gegenwart and MusikTexte Nº147 (by G. Paraskevaídis), MusikTexte Nº168 (by Wolfgang Rüdiger), Proceedings of the XVII Congress of Musicology (by Miguel Angel Baquedano), Lexikon Neue Musik (by Graciela Paraskevaídis), Musiktexte No.111 (by Thomas Beimel). Since 2019 he has participated in the CAI-D 2020 Research project: Listening and phonography: ecological, technological and artistic approaches. National University of the Coast. Director: Dr. Alejandro Reyna. Teaching: Between 2005 and 2014 she was Professor of Instrumentation and Orchestration at the Higher Institute of Music of the Universidad Nacional del Litoral in the city of Santa Fe, where in 2014 she was appointed by ordinary competition to the position of Full Professor, semi-exclusive dedication with functions in the chair of Composition I, II, III, IV and V and Seminar and practice of Orientation. Since 2001 he has been a teacher at the Higher Institute of Music Teachers in Rosario in musical analysis subjects (20th and 21st centuries), musical experimentation and social history of music. Natalia Solomonoff lives in Rosario, where she carries out artistic, teaching, dissemination and research activities. Sites: https://www.natalia-solomonoff.com Experimental Motionless Traveler/Natalia Solomonoff. Compositions 2005-2019 (selection) https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composicions-2012-2019-vol-1 https://viajeroinmovilexprimental.bandcamp.com/album/natalia-solomonoff-composicions-2005-2015-vol-2 https://soundcloud.com/natalia-solomonoff https://www.babelscores.com youtube: Natalia Solomonoff Eymann (music, interviews) https://youtu.be/Wy9LyujIxPE Photo: Adrian Bosch. 2015 Publications in: MusikTexte (DE), Pilacremus (UNAM, Mx), Iberoamerican Institute of Berlin- Ed. Vervuert- (DE-ES), Casa de las Américas de La Habana (Cuba), the National Endowment for the Arts (AR), the National Library (AR), Ediciones UNL- Universidad Nacional del Litoral (AR), Gourmet Musical (AR), etc. She is the compiler of the book Peripheral Readings/Listening (AR, Suono Mobile Editora, 2018). Photo: Adrian Bosch. 2017

Activities and Performances Natalia Solomonoff premieres/presentations 2020 Ignition (2019) Premiere! for Saxophone Quartet. Tsunami Quartet Commission. Saxophone Quartet for the 5th Concert of the International Festival of Contemporary Music of the Teatro Gral San Martín Premiere: 01.25.2020 festiva (2019) for flute/bass flute, violoncello and percussion. Premiere in Nürnberg (Germany) Concert: Weltenmusiken.SÜdamerika. Neues Museum Nürnberg, 11:15 am. Ensemble Klangkonzepte. Dir: Wilfried Krüger. Tree of Bliss (2019-2020) Commission of the Ensemble Partita Radicale (Germany) for the "Invitations" Project. Three pieces for two flutes, accordion and trombone. Premiere, with tour and concerts in Bonn, Wuppertal, Bochum and Köln. To replicate in Argentina. (cancelled due to COVID) http://www.partitaradicale.de/ HSxCDxEG (2018), for violin and piano. Concert to be held on 04/30 at: America Society/Council of the Americas. Counter(induction new music. https://www.as-coa.org/events/postponed-counterinduction-nueva-m%C3%BAsica (cancelled due to the COVID pandemic) Quema (2018), for oboe, Bb clarinet and bassoon. Commissioned by the Antiqua/Nova Festival. Performers: Ensemble Aventure (Freiburg) . Premiere in Freiburg (Germany) on 06/26/2020 Spots/Open air concert: at Elisabeth Schneider Stiftung. http://www.ensemble-aventure.de/de/aventure/konzerte/veranstaltung/konzertausverkauft---spots-%E2%80%93-erf%C3%BCllte-augenblicke---open-air-26 premieres/presentations 2019 Sunday May 26 holiday (2019) premiere! for flute/bass flute, violoncello and percussion Commissioned by the Oblique Company in celebration of its 15 years. Direction: Marcelo Delgado Place: La Cúpula, Kirchner Cultural Center, Buenos Aires, 8:00 p.m. http://www.cck.gob.ar/eventos/compania-oblicua-postales-sonoras-de-hoy_3277 Tuesday June 07 quema (2018), for oboe, Bb clarinet and bassoon. Commissioned by the Antiqua/Nova Festival. Performers: Ensemble Aventure (Freiburg) ForumWallis Festival, Schloss Leuk, Switzerland https://forumwallis.ch/programm-2019ensembleaventure.htm concert review: http://5against4.com/2019/06/20/forum-wallis-2019-part-2/ sunday august 25 Talk: Natalia Solomonoff: The rules of the game in her music. Invitation and organization: Kaparilo Ensemble. Rosary beads. Concert: presentation of frameworks , for solo flute and (over)dimensions of dialogue , for piccolo, violin and video. Interpreters: Emiliano Zamora and Ignacio Quiroz Wednesday, September 5, from 5:00 p.m. to 6:45 p.m. Chat : Music in dialogue: compositional and poetic process in living stone (2017) and HSxCDxEG (2018) First National Meeting of Composition. Patagonian University Institute of the Arts. General Roca (September 04 to 07, 2019) http://iupa.edu.ar/sitio/primer-encuentro-nacional-de-composicion-musical/ Tuesday 24 and Friday 27 September drostes (2019) premiere! for chamber ensemble with two percussionists and recorded electronics. Commissioned by Ensemble Reflexion K (Germany) Premieres: Madrid: Teatro Galileo/ Eckernförde: NIkolaikirche Duo Neo Percussion-Ensemble Reflexion K https://www.elcompositorhabla.com/es/noticias.zhtm?corp=elcompositorhabla&arg_id=1764 http://www.neuemusik-eckernfoerde.de/Sept2019_engl.html monday september 30 half-timbered/leathered (2015-2016) for solo flute premiere in Argentina. Interpreter: Paula Cesar First Contemporary Flute Symposium https://sites.google.com/view/dsmc/opportunities/first-symposium-of-flute-contempor%C3%A1nea tuesday october 02 living stone (2017-2019) premiere!! Composed for the Chamber Ensemble of the OEIN. Commissioned by the Experimental Orchestra of Native Instruments of Bolivia Patino Foundation. La Paz, Bolivia https://www.espacio.fundacionpatino.org/obra?id=2236 friday october 4 (over)dimensions of dialogue (2016) for piccolo, violin and video. Argentine Library. Rosary beads. Cycle New Scores . Kaparilo Ensemble Concert Interpreters: Emiliano Zamora and Ignacio Quiroz http://entrenotas.com.ar/ciclo-nuevas-partituras-con-kaparilo/ Thursday October 11 karg (2016), for flute/fl. bass and cello Commissioned by the Duo Reflexion K: Beatrix Wagner (Fl.) and Gerald Eckert (Vc.)- III Conference on Audio and Acoustics, Salta, Argentina http://www.jaas.com.ar/programa/#&gid=1&pid=1 tuesday october 15 karg (2106) Presentation at the IX Microconferences on Composition and Contemporary Music in Córdoba. AUla Magna National University of Córdoba https://www.facebook.com/events/810774102714863/ tuesday october 15 Ariones (2001), for two trombones Contemporary Music Cycle "Félix Garzón" Superior Music Conservatory Auditorium, Córdoba. Organizer: Maria Victoria Asurmendi https://www.ficfe.com/chronogram friday october 26 living stone (2017-2019) premiere in Cuzco, Peru!! Chamber Ensemble of the OEIN. Commissioned by the Experimental Orchestra of Native Instruments of Bolivia. friday november 9 tarjo (2011), for ensemble of 7 instruments Ensemble Reflexion K- Nicolai Kirche Eckernförde. saturday november 23 Conference. First International Festival of Women's Choirs in Latin America. Puerto Madrin, Argentina. Award of the First Composition Contest in honor of Marta Lambertini. highlights 2018 Thursday, August 9, 2018, 5:00 p.m. Presentation of the book Peripheral Readings -Listening , Compiler: Natalia Solomonoff (comp.). Published by Suono Mobile Editora (Córdoba), Sound Present Days , Higher Institute of Music of the National University of the Litoral (Santa Fe). August 23-24, 2018 Panel: "Referents and decolonizing proposals in contemporary Latin American music", Seminar Hispanic Argentine "Globalization and coloniality/decoloniality of knowledge in literature and the arts in Latin America and Spain" (August 23 and 24, Santa Fe). Seminar "Referents and decolonizing proposals in contemporary Latin American music" 4 meetings on Wednesdays in October, from 5:00 p.m. to 8:00 p.m. Higher Institute of Music Teachers C. Guastavino, Rosario. premieres/ others november 2018 Thursday , November 08, 2018 uncertain ground sky (2018), for orchestra Commissioned by the UNC Symphony Orchestra, Composition Micro-days 2018. Córdoba. Saturday November 17, 2018 HSxCDxEG (2018) premiere!, for violin and Piano. Premiere Concert Tribute to Claude Debussy. Assignment of the Manos Program the Work, Haydée Schvartz and Elías Gurevich. https://soundcloud.com/natalia-solomonoff/cdxegxhs December 15, 2018 Burn (2018) premiere! , for oboe, clarinet and bassoon. Commissioned by the Antiqua Nova Festival: Distat Terra Festival 2018. Performers Ensemble Aventure (Freiburg) https://soundcloud.com/natalia-solomonoff/quemasolomonoff December 15 to 22, 2018 Participation as a composer and guest teacher at the Festival Distat Terra Festival 2018 - Third International Workshop for Young Composers AntiquaNova 2018 https://www.facebook.com/fundacionmusicaantiquanova